Rolling Stone: Notre Dame Should Be Rebuilt As A Monument to 21st Century Prog-Globalism

[...] for some people in France, Notre Dame has also served as a deep-seated symbol of resentment, a monument to a deeply flawed institution and an idealized Christian European France that arguably never existed in the first place. “The building was so overburdened with meaning that its burning feels like an act of liberation,” says Patricio del Real, an architecture historian at Harvard University. [...]

Notre Dame acquired even more overtly nationalist symbolism following its renovation in the Nineteenth century by Eugène-Emmanuel Viollet-le-Duc, who is widely considered the godfather of modern historical architectural restoration. [...]

Viollet-le-Duc’s restoration of the church was highly controversial, and to an extent still is today. “His approach to restoration was not, ‘Let’s fix the building as it is and put it in decent structural condition,'” says Cesare Birignani, assistant professor at the Spitzer School of Architecture, City College of New York. “In fact, he acted in a much more inventive and problematic way, because he claimed to reestablish or restore the church to an image that it may never have had. [It was] his own reinvention, or his own idea of how the church may have existed at the beginning of the 13th century” — an idealized version of French history that arguably never existed in the first place. [...]

Although Macron and donors like Pinault have emphasized that the cathedral should be rebuilt as close to the original as possible, some architectural historians like Brigniani believe that would be complicated, given the many stages of the cathedral’s evolution. “The question becomes, which Notre Dame are you actually rebuilding?,” he says. Harwood, too, believes that it would be a mistake to try to recreate the edifice as it once stood, as LeDuc did more than 150 years ago. Any rebuilding should be a reflection not of an old France, or the France that never was — a non-secular, white European France — but a reflection of the France of today, a France that is currently in the making. “The idea that you can recreate the building is naive. It is to repeat past errors, category errors of thought, and one has to imagine that if anything is done to the building it has to be an expression of what we want — the Catholics of France, the French people — want. What is an expression of who we are now? What does it represent, who is it for?,” he says.