Film About Woman's Sexual Relationship With A Fish Wins Best Picture at Oscars

Chris Menahan
Mar. 05, 2018

A bestiality flick won "Best Picture" at the 90th Academy Awards ceremony on Sunday at Dolby Theatre.

Director Guillermo Del Toro's "The Shape of Water" is a story about a woman endangering America during the height of the Cold War because she couldn't resist having a sexual relationship with a fish.

Here's how Jacaranda FM glowingly described it:
Is it bestiality or a display of the phenomenon of love? The Shape of Water shows you that love conquers everything. Sally Hawkins plays a cleaning lady tasked to clean a room in a high security government facility which captured a creature possessing abilities unheard-of. Unable to extract these abilities and scared of the possibility that it might favour the opposition, officials set out to kill the animal. The leading lady, Elisa a mute and living a highly isolated life goes beyond to continue their affair and conspires a plan to steal it.

This move, truly a feast for the eyes, shows the unwavering effort needed to walk outside the lines as prescribed by society. Her drive and stamina can be contextualise in any circumstances which makes the movie relatable.
Here's the full story of the film from Wikipedia:
Elisa Esposito, found in a river as an orphaned child with wounds on her neck, is mute and communicates through sign language. Living alone in an apartment above a movie theater, she works as a cleaning woman at a secret government laboratory in Baltimore during the Cold War in 1962. Her only friends are her next-door neighbor Giles, a struggling gay advertising illustrator who shares a strong bond with her, and her co-worker Zelda, an African-American woman who also serves as her interpreter at work.

The facility receives a creature in a tank, which has been captured from a South American river by Colonel Richard Strickland. Curious, Elisa discovers that the creature is a humanoid amphibian and begins visiting the creature in secret, forming a close bond with him.

Seeking to exploit the creature for possible advantages in the Space Race, General Frank Hoyt orders Strickland to vivisect it. One scientist, Dr. Robert Hoffstetler, who is secretly a Soviet spy named Dimitri Mosenkov, pleads unsuccessfully to keep the creature alive for further study and, at the same time, is ordered by his Soviet spymasters to euthanize the creature. Elisa learns what the Americans' plan is for the creature, and she persuades Giles to help free him. Mosenkov discovers Elisa's plot and chooses to help her. Though initially opposed to the plan, Zelda becomes involved as the escape becomes successful.

Elisa keeps the creature in her bathtub, adding large amounts of special chemicals to the water, planning to release him into a nearby canal when it opens to the ocean in several days. As part of his efforts to recover the creature, Strickland interrogates Elisa and Zelda, but the failure of his advances toward Elisa hampers his judgment, and he dismisses them. Back at the apartment, Giles discovers the creature eating one of his cats. Startled, the creature slashes Giles's arm and bolts from the apartment. The creature gets as far as the cinema downstairs before Elisa finds him and returns him to her apartment. The creature touches Giles on his balding head and his wounded arm, and the next morning, Giles discovers that his hair has partly grown back and the wounds on his arm are healed. Elisa and the creature soon become romantically involved, having sex in her bathroom, which she at one point floods for him.

Hoyt gives Strickland an ultimatum to recover the creature within 36 hours. Meanwhile, Mosenkov is told by his handlers that he will be extracted in two days. As the planned release date approaches, the creature's health starts deteriorating. As Mosenkov leaves to rendezvous with his handlers, Strickland tails him. When meeting his handlers, Mosenkov is shot by one of his handlers, but Strickland shoots the handlers dead and then tortures Mosenkov for information. Mosenkov implicates Elisa and Zelda before he dies from his wounds. Strickland then threatens Zelda in her home, causing her terrified husband to reveal that Elisa had been keeping the creature. Strickland searches Elisa's apartment and finds a calendar note revealing where she is taking the creature.

At the canal, Elisa and Giles bid farewell to the creature, but Strickland arrives and attacks them all. Strickland knocks Giles down and shoots the creature and Elisa, who both appear to die. However, the creature heals himself and slashes Strickland's throat. As police arrive on the scene with Zelda, the creature takes Elisa and jumps into the canal, where deep under water he heals her. When he applies his healing touch to the scars on her neck, she starts to breathe through gills. In a closing narration, Giles expresses his belief that Elisa lived ‘happily ever after’ with the creature.
In short, the heroine sabotages America during the Cold War because she can't keep her legs shut and resist the urge to have sex with an amphibian.

Hollywood gets weirder by the day.

During his acceptance speech, director Guillermo del Toro said, "I am an immigrant" and called for open borders:

The actual best film of the year, Blade Runner 2049, a movie centered around a beaten-down cop living in a multicultural hellhole who tries to escape the world by holing himself up in his apartment with his holographic waifu, only took home one award for best cinematography.

Perhaps if director Denis Villeneuve had Blade Runners chasing duck-billed platypuses for sexual relationships rather than chasing humanoid "replicants" to maintain order in society he could have won best picture.

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